2018

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Storytelling

February 16, 2018October 27, 2018
by admin

Madonna con Bambino. Agrate Conturbia, May 2018. Nikon D810, 85 mm (85 mm ƒ/1.4) 1/1000″ ƒ/1,4 ISO 64

“Sex and the city” Italian Style. Via Tortona during the Fashion Week. Milano, September 2018. Nikon D810, 24 mm (24-120 mm ƒ/4) 1/160″ ƒ/4 ISO 64

The Circus Is Back In Town. Rapallo, July 2018. Nikon D810, 32 mm (24-120 mm ƒ/4) 1/125″ ƒ/8 ISO 250

In front of the taylor shop (Corso Vittorio Emanuele II during the Fashion Week). Milano, September 2018. Nikon D810, 24 mm (24-120 mm ƒ/4) 1/125″ ƒ/5 ISO 3200

Food Delivery. I feel a sense of uneasiness in front of this man wearing a bandana on his face, possibly to prevent to be casually recognized by acquaintances, former colleagues, relatives. A dignified man in very dire straits, on the brink of catastrophe… Milano, June 2018. Nikon D810, 95 mm (24-120 mm ƒ/4) 1/100″ ƒ/4.5 ISO 11400

«When a condition or a problem becomes too great, humans have the protection of not thinking about it. But it goes inward and minces up with a lot of other things already there and what comes out is discontent and uneasiness, guilt and a compulsion to get something–anything–before it is all gone.» ― John Steinbeck, “The Winter of Our Discontent”

Shadows of the visitors attending the rite of sunset on the Vittoriano facing Piazza del Campidoglio. Nikon D810, 24 mm (24-120.0 mm ƒ/4) 1/200 ƒ/13 ISO 720

«Nominato ufficiale, Giovanni Drogo partì una mattina di settembre dalla città per raggiungere la Fortezza Bastiani, sua prima destinazione.» Il Rifugio Pedrotti all’Altipiano delle Pale, dove Dino Buzzati concepì il suo “Deserto dei Tartari” – Nikon D810, 85mm (85mm ƒ/1.4) 1/400sec ƒ/10 ISO 64

«Until /Great Birnam Wood to high Dunsinane Hill /Shall come…». Near Maro, Andalucia, Nikon D810, 240mm (80-400.0mm ƒ/4.5-5.6) 1/200 ƒ9 ISO64

Magic Realism

February 16, 2018October 11, 2018
by admin

Snapshot. Palazzo Reale, antologica Agostino Bonalumi (1958-2013). Milano, July 2018. Nikon D810, 46 mm (24-120 mm ƒ/4) 1.6″ ƒ/8 ISO 64

Thomas Kern and Timon Schapals (D) on a 1930 MERCEDES-BENZ 710 SSKL taking on Antonio D’Antinone and Sabrina Baroli (I) on a 1927 BUGATTI T40. Nikon D810, 24 mm (24.0mm ƒ/1.4) ) 1/125″ ƒ/3.5 ISO 64

“Oh Vita” Jovanotti tour concert, Assago, February 2018. Samsung S8+ 4.2 mm (rear camera) 1/10 ƒ/1.7 ISO 1000

Sunday with Grampa. 85. Anniversary from the Foundation of ATM 2016. San Donato Deposit. Nikon D750 24 mm (24.0 mm ƒ/1.4) 1.6″ ƒ/8 ISO 100

Caravaggio, “St. Jerome Writing”, 1606, temporarily exposed in the Federiciana room of the Ambrosiana Library in Milan. Nikon D750, 24 mm (24-120 mm ƒ/4) 0,6″ ƒ/4 ISO 640

Shadows in the Mist. Castle of Masino, near Ivrea, Italy. Nikon D810, 46 mm (24,120.0 mm ƒ/4) 1/640″ ƒ/4.5 ISO 64

Cidneon, Festival della Luce. Brescia February 2018. Nikon D810 38 mm (24-120 mm ƒ/4) 0,8″ ƒ/10 ISO 64

A sunny day in Duino

Is there a light at the end of the tunnel?. Carsten Höller, “Doubt”, in Pirelli HangarBicocca, Milano. Canon G1 X, 1/200″ ƒ/2.8 ISO 6400

Fireworks, Pusiano Lake, Madonna della Neve Festival, August 2017. Nikon D810 120 mm (24-120 mmƒ/4) 1,3″ ƒ/11 ISO 1250

Just before bedtime. Ronda, a child running across Plaza Duquesa de Parcent. Nikon D810, 24 mm (24.0 mm ƒ/1.4) 1/25″ ƒ/1.4 ISO 1600

Slippery Ground. Skating rink in Milano, Piazza Lombardia. December 2016. Nikon D750, 24 mm (24-120.0″ ƒ/4) 1/5″ ƒ/11 ISO 400

A resident carrying a trolley with groceries in Venezia, Giudecca island, with the Basilica della Salute in the background. Nikon D810, 24 mm (24.0-120.0 mm ƒ/4) 1/25 ƒ/22 ISO 64.

Humans only play when they are in the fullest sense of the word human beings, and they are only fully human beings when they play (Friedrich Schiller). Como, June 2016. Nikon D810, 24 mm (24-120.0 mm ƒ/1.4) 1/4″ ƒ/8 ISO 3200