Skip to content
RENATO CORPACI | PHOTO
  • HOME
  • DAY-BY-DAY
  • Ciao!
    • WELLCOME!
    • ABOUT
    • SULLA PUNTA DELLA LINGUA
    • VIAGGI SPORT VACANZE
    • YOUTUBE CHANNEL
  • Departments
    • “Le Stanze”
      • Glossy
      • Matte
      • Color
      • Black&White
    • Projects
      • Srorytelling
      • Magic Realism
      • Rebus
    • Reportage
    • Street Photograpy
  • ENCOUNTERS 2020
    • ENCOUNTERS 2019
    • ENCOUNTERS 2018
    • ENCOUNTERS 2016-2017
Automobiles

“MilleMiglia” – Best Race In The World – 3

  • May 25, 2016June 24, 2018
  • by Renato Corpaci
Luca Patron ed Elena Scaramuzzi, giunti al secondo posto, su O.M. 665 Superba Sport 2000 CC del 1926. Nikon D810, 24 mm (24.0mm ƒ/1.4) 1/80" ƒ/2.5 ISO 64
Luca Patron ed Elena Scaramuzzi, giunti al secondo posto, su O.M. 665 Superba Sport 2000 CC del 1926. Nikon D810, 24 mm (24.0mm ƒ/1.4) 1/80″ ƒ/2.5 ISO 64
Andrea Vesco e Andrea Guerini, primi classificati su Alfa Romeo 6C 1750 GS Zagato del 1931. Nikon D810, 24 mm (24.0mm ƒ/1.4) ) 1/680" ƒ/4 ISO 64
Andrea Vesco e Andrea Guerini, primi classificati su Alfa Romeo 6C 1750 GS Zagato del 1931. Nikon D810, 24 mm (24.0mm ƒ/1.4) ) 1/680″ ƒ/4 ISO 64
Giordano Mozzi e Stefania Biacca sul terzo gradino del podio a bordo di una Alfa Romeo 6C 1500 Gran Sport del 1933. Nikon D810, 24 mm (24.0mm ƒ/1.4) ) 1/680" ƒ/4 ISO 64
Giordano Mozzi e Stefania Biacca sul terzo gradino del podio a bordo di una Alfa Romeo 6C 1500 Gran Sport del 1933. Nikon D810, 24 mm (24.0mm ƒ/1.4) ) 1/680″ ƒ/4 ISO 64

From the start of the final run, from Chiari to Gussago, we already knew the teams that most likely would step up on the podium at the end of the race. Read more ““MilleMiglia” – Best Race In The World – 3” →

Automobiles

“MilleMiglia” – Best Race In The World – 2

  • May 21, 2016June 24, 2018
  • by Renato Corpaci

Giordano Mozzi e Stefania Biacca (I) on a 1933 ALFA ROMEO 6C Gran Sport 1500 “TESTA FISSA”. Nikon D810, 24 mm (24.0mm ƒ/1.4) ) 1/125
.
It has been really tough to select only 24 shots among the 446 competitors passing along the circuit at Valeggio-sul-Mincio, first stage of the 34th edition of the 2016 1000 Miglia. Difficulty due to the beauty of each car and the spirit with which all teams have faced the prohibitive weather conditions. Read more ““MilleMiglia” – Best Race In The World – 2” →

Automobiles

“MilleMiglia” – Best Race In The World – 1

  • May 18, 2016June 24, 2018
  • by Renato Corpaci
1955 Mercedes-Benz 300 SL Coupé W 198. Nikon D810, 20 mm (85,0 mm ƒ/1.4) 1/100
1955 Mercedes-Benz 300 SL Coupé W 198. Nikon D810, 20 mm (85,0 mm ƒ/1.4) 1/100″ ƒ/5 ISO 3200

Tuesday, two days before the race, all the cars gather inside a building of the former Fair of Brescia for a series of mechanical controls focused on guaranteeing that all safety and technical measures are up and working. Read more ““MilleMiglia” – Best Race In The World – 1” →

DAY-BY-DAY

La 1000 Miglia 2015 a Monza

  • June 8, 2015June 18, 2018
  • by Renato Corpaci

For the first time since 1977, the Mille Miglia has come to the Autodromo di Monza Circuit. We have shots of all participants at Mille Miglia taken from two different angles at First Chicane. We have taken also shots of the Ferrari Tribute parade from the Curva Ascari (more pictures and a report on «Viaggi Sport Vacanze»).

Maserati - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/6.3 ISO 64
Maserati – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/6.3 ISO 64
Marcedes - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/7.1 ISO 64
Marcedes – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/7.1 ISO 64
Ferrari - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/6.3 ISO 64
Ferrari – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/6.3 ISO 64
Secondi classificati Andrea Vesco e Andrea Guerini, su FIAT 514 MM del 1930 - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/30 ƒ/10 ISO 64
Secondi classificati Andrea Vesco e Andrea Guerini, su FIAT 514 MM del 1930 – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/30 ƒ/10 ISO 64
MG - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/11 ISO 64
MG – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/11 ISO 64
I belgi Christian e Nina-Marie Dumolin su Maserati A6 GCS Monofaro affrontano l'uscita dalla Prima Variante sul circuitodell'Autodromo di Monza
I belgi Christian e Nina-Marie Dumolin su Maserati A6 GCS Monofaro affrontano l’uscita dalla Prima Variante sul circuitodell’Autodromo di Monza
La coppia di argentini composta da Juan Tonconogy e Guillermo Berisso, sulla Bugatti T 40 numero 33 del 1927. Primi classificati - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/14 ISO 64
La coppia di argentini composta da Juan Tonconogy e Guillermo Berisso, sulla Bugatti T 40 numero 33 del 1927. Primi classificati – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/14 ISO 64
Alfa Romeo - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/9 ISO 64
Alfa Romeo – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/9 ISO 64
Alfa Romeo Zagato - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/9 ISO 64
Alfa Romeo Zagato – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/9 ISO 64
Maserati - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/10 ISO 64
Maserati – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/10 ISO 64
Ezio Martino Salviato e Caterina Moglia, su Bugatti T 40 del 1928. Terzi classificati - Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/8 ISO 64
Ezio Martino Salviato e Caterina Moglia, su Bugatti T 40 del 1928. Terzi classificati – Nikon D810, 85mm (85.0mm ƒ/1.4) 1/50 ƒ/8 ISO 64

Search

Tags

1000 miglia 2014 2015 2016 2018 acqua alba albero andalusia architettura b&n b&w brianza bridge camargue casa cascata castello cavallo cervinia chiesa Church como copenhagen cuba estate expo giardino iceland inverno islanda lago Milano mille miglia monza mostra portrait ritratto romanico Sculpture spagna street photography triennale uccello winter

Translate/Traduci

«Sulla Punta Della Lingua»

«Sulla Punta Della Lingua»

COPYRIGHT

Copyright © Renato Corpaci – All rights reserved

This website belongs to Renato Corpaci.

Downloading of photographs and text from this website without the explicit approval by the owner is strongly discouraged.

The owner hereby reserves the right to bring suits, claims, and actions for any and all cases arising from the infringement of the hereabove interdict.

Theme by Colorlib Powered by WordPress